Thus, the hemispherical stupa that you admire in travel brochures is not the original Ashoka creation at all. What about the ornamental gateway in front? It is called a Torana. All the exquisitely carved Toranas in Sanchi were built during the rule of the Satavahana Kings. The Torana in this picture was probably built by the Satavahana King Satakarni -II around 50 BCE.

Who were the Satavahanas? Most school history books pretend that the Satavahanas never existed, or grudgingly allocate one paragraph in a 200-page textbook. Somehow the Satavahana dynasty got a raw deal from our history teachers. The truth is that they ruled a huge part of Central India – present day Andhra, Telangana, Maharashtra, Karnataka for about 350 years; at their peak, they ruled present day Gujarat and Madhya Pradesh too. Their reign was longer than the Mughal rule and their contribution to Indian art was as important. The beautiful panels depicting scenes from Buddha’s and Ashoka’s life all over Sanchi are contributions during the Satavahana period. Ironically, Sanchi is more a Satavahana monument than an Ashoka Monument.

The Satavahanas were originally a South Indian feudatory of the Maurya Kings. About 50 years after Ashoka’s death the Mauryan empire started breaking up. The Satavahanas asserted their independence and formed a huge kingdom from the East coast to the West coast on the Deccan plateau. At the height of their power, Sanchi was under their rule and that is why we see such brilliant Satavahana art at Sanchi.

Because they controlled the plateau from coast-to-coast, all North-South trade had to pass through their territory. Seaborne trade including Roman ships, graced their ports. All this made the country rich, and hence patronage for art came from the kings as well as wealthy merchants and noblemen.

The Satavahanas were Hindu kings, yet it was Buddhist art that got a greater fillip under the Satavahanas. During their time, the Satavahanas allowed Buddhist monasteries to come up along important trade routes. These monasteries were funded by local merchants because they doubled up as rest houses for traders. By the end of the Satavahana reign, there was a trail of Buddhist art all over their territory. This style of sculpting was called the Amaravati style – considered the mother of all Indian styles, developed in the Satavahana kingdom.

The Ajanta Paintings, the Nasik Pandavleni caves and of course the Sanchi gateways were all products of this era. The Amaravati style is said to have influenced the later Hindu art of the Pallava and Chola periods.

If you visit the Egmore Museum in Chennai, you can see the largest collection of antique stones belonging to the Satavahana period – the Amaravati collection.  These are some of the earliest examples of Buddhist art in the world. 

[For more on the Satavahanas, read this article –  The Satavahanas and India’s Ancient Tollgates]